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  • Cromo – Lets Go (Copy)
  • Cromo – The Road Trip
  • Cromo – The Crowd Rises
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Amazing Videos from Happy Customers is our highest priority.

Here in the demo reel you can see what customers have created with the help of Yummy Sounds music. It’s great to see how our website helps professionals quickly and easily create what really counts. Cinema at its most exciting!

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WE LOVE WHAT WE DO

Yummy Sounds is a family run company and we love our baby!

We have developed Yummy Sounds since 2015 for commercial marketing agency’s, motion designers & filmmaker. I am motion designer & composer myself and for my job I was looking for more music than I can create on my own. I spend hours & days on stock music pages and I got sick of listening through all the bad quality music.

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I simply decided to watch out for the best composers in the world to create my own little library. So I asked all the composers in the team to create a library with their world-class music and they fully agreed, so we started Yummy Sounds together and we simply love it!

WORLD-CLASS & HANDPICKED

Our composer team is small, but they are truly world-class.We select carefully our composers and listen to every single track to make sure we only have the best available music on Yummy Sounds. We know your time is valuable and you will notice on Yummy Sounds you find a lot faster what you are actually looking for.

Our composers are working really close with us, and they are always ready to make adjustments on all tracks from the library, and we also create custom and personalized sound designs for you.

We are ready to handle this process for you fast, affordable and professional.

PERSONAL ASSISTANCE

You can contact us any time you want for:

  • Assistance with our website or technical service
  • To get changes on some tracks you have purchased
  • To get a unique & personal sound design
  • Or just to have a chat & a coffee in our office (Germany)

First Contact:

Thilo Konstanzer
Mail to: thilo@yummy-sounds.com
Phone: +49 (0) 172 1488349

If nothing else, the web has provided out-of-the-box thinkers with an endless playground, albeit one that feels (actually, is) encircled by armed guards and mathematical formulas, working both for and (mostly) against us.

Take Kutiman's achingly beautiful, height-of-humanity quilts composed of YouTube uploads or Vulfpeck's brilliant, cynical ploy for free money. Or Yacht's very existence. The default digital mode may trend towards negativity and fear, but the opportunity to rise above remains steadfastly in front of all our faces.

That said: Sometimes negativity is justified. (Ahem.) And funny.

This summer, New York University songwriting professor Mike Errico wondered, darkly: 'Spotify, the clear leader in the streaming space, pays after 30 seconds, so an honest question is... why write beyond that?' Mark Christopher Lee got the joke, and took it very seriously indeed. Six days ago he uploaded 100x30, a record of 100 songs each a hair over 30 seconds long, to SoundCloud. No industry participant is spared.

A short list of 100x30's targets include: Spotify, YouTube, Shazam, Deezer, the Brit Awards, the BBC, MP3s, SoundCloud, sync deals, The Orchard, Sony Music, NME, Starbucks, Noel Gallagher, Steve Jobs and MacBooks.

Speaking to Errico via The Independent, Lee says: 'I've been trying to have a meaningful debate about how we value music, and how we pay for it.' Mostly, however, his focus seems to be on how we don't pay for it. For instance, the lyrics to 'Ain't Nobody Makin' Money in This Business Anymore':

Yep, nobody's makin' money in this business anymore / Leave the guitar in the guitar case / The lyrics in the drawer / Guess we'll all get loaded and die out like the dinosaurs / 'Cause nobody's makin' money in this business anymore

Or the lyrics to 'All About That Bass And Not Being Paid A Fair Amount':

It's all about that bass / But mostly about / Not being paid a fair amount

Or 'Nobody Makes Money Anymore':

30 Second Clips Of Songs

Nobody makes money anymore

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You likely the get the point. The music on 100x30, which ranges from '90s house to Blur ripoffs, garage rock to The Streets' minimal monotone hip-hop, definitely isn't going to win any critic awards. But the gumption is admirable, and its pragmatic economy is, for better and worse, the real star here. It may be true that any expectation of financial stability arriving through artistic endeavor is slipping into the sea faster than the ice caps, but ideas like Errico's and executions like Lee's at the very least point to a pin-sized beam of hope in the ceiling.

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To that end, Lee has made CDs of the record available on its website -- not that you'll buy them.